j.remenchik@gmail.com @jennifer_remenchik
Education
MFA Art California Institute of the Arts, CA 2015
BFA Studio Art University of Texas at Austin, TX 2009
Solo Exhibitions
2023
V DAY, CoLab Projects, Austin, TX (upcoming)
2020
More - Present & Removed, NO Gallery, Los Angeles, CA
2015
Similar But Different, D-301 Gallery, California Institute of the Arts, Valencia, CA
2014
Dividual, Mint Gallery, California Institute of the Arts, Valencia, CA
2011
Goal, Red Space, Austin, TX
From Here to Fantasy, Dougherty Arts Center, Austin, TX
2009
Sexy Savior, Blue Cube, Austin, TX
LoveStruck, 1305 Position, Austin, TX
AutoLove, CoLab, Austin, TX
Jennifer Remenchik, Flood Gallery, Austin, TX
2007
Paintings, Ventana, Austin, TX
Remenchik, Salon Sovay, Austin, TX
Screenings and Performances
2020
Hyperallergic’s ‘Cabin Fever’, Online
2019
Mourning Letters, Now Instant, Los Angeles, CA (screening and Q&A)
2018
Chronos and his child, Gallery ALSO, Los Angeles, CA (organized and read)
Touch, Liminal Bodies, Gallery ALSO, Los Angeles CA (performance)
Jennifer Remenchik and Jae Woo Kang, No Fun Video, online (screening)
Bitches Be Conin’, Night Gallery, Los Angeles, CA (performance)
2017
Songs for three feeling artists, Diogenesis Gallery, Los Angeles, CA
Tearjerker, VIVO Media Arts Center, Vancouver, Canada
"Virago, An Incantation," HILDE, Los Angeles, CA (performance)
2016
“Index A: PowerTrouble,” Banff Centre, Banff, Canada (screening and Q&A)
2015
“Index A: PowerTrouble,” Vermont Studio Center, Johnson, VT (screening and Q&A)
“Hey Lady,” Performing Arts Forum, St. Erme, France (reading and Q&A)
“Hey Lady,” Vermont Studio Center, Johnson, VT (reading)
2009
Hell Yeah! (a performance event), The Union, Austin, TX
Silver Pattern Personality, Tyler Junior College, Tyler TX (performance, talk, Q&A)
Group Exhibitions
2019
Annual Calarts X CAP Benefit, Bel Air Restaurant, Los Angeles, CA
100 Artists for Reproductive Rights, fundraiser, Los Angeles, CA
Spring Break LA, HILDE, Los Angeles, CA
2018
The Street and The Shop, Tin Flats, Los Angeles, CA
fresh stART, Barker Hanger, Los Angeles, CA
SOMETHING HAPPENED, basement projects, Santa Ana, CA
2017
feel it...feel it..., Diogenesis Gallery, Los Angeles, CA
Critical Content Art Initiative, Pacific Design Center, Los Angeles, CA
TrustFall, Gallery ALSO, Los Angeles, CA
The Edge of Doom, H I L D E L.A., Los Angeles, CA
Bee Flix Vol. 3, BEEFHAUS, Dallas, TX
2016
California Imaginary, Industry Lab, Boston, MA
DARK MIMES, ASHES/ASHES, Los Angeles, CA
Open Studio, 2404 Space, Los Angeles, CA
Various Horizons, California Institute of the Arts, Valencia, CA
Bee Flix Vol. 2, BEEFHAUS, Dallas, TX
Bee Flix Presents: Short Films, BEEFHAUS, Dallas, TX
2015
Gray Grey, Vacancy, Los Angeles, CA
Hot Links, Papa John’s Projects, Facebook, The Internet
Show & Tell, DaVinci Gallery, LACC, Los Angeles, CA
Bijou Festival, California Institute of the Arts, Valencia, CA
2014
Pho Show, California Institute of the Arts, Valencia, CA
2012
EAST, CoLab, Austin, TX
2011
New Art in Austin: 15 to Watch, Austin Museum of Art, Austin, TX
Parallel, Fusebox Festival, Austin, TX
5x7, Arthouse, Austin, TX
2010
Consensus of Taste, Mexic Arte Museum, Austin, TX
Unveiled, CenterSpace, Austin, TX
The Big Show, Lawndale Art Center, Houston, TX
5x7, Arthouse, Austin, TX
Texas Crude, CoLab, Austin, TX
Telephone, FAB Gallery, Austin, TX
Stations, Pump Project, Austin, TX
Adoration, Birdhouse Gallery, Austin, TX
2009
First Night, Austin, TX
EAST, CoLab, Austin, TX
Half & Half, Creative Research Laboratory, Austin, TX
Untitled, Art Authority, Austin, TX
The People’s Gallery, City Hall, Austin, TX
Urban/Street, FAB Gallery, Austin, TX
2008
Cantanker Magazine’s Holiday Hipster Snow-Ball, CoLab Space, Austin, TX
For Mature Audiences Only, Drogos, Austin, TX
Untitled, Café Medici, Austin, TX
Painters, ART Building, Austin, TX
The Big-Time, Okay Mountain, Austin, TX
2007
Open Mic Night, 21st St. Co-op Austin, TX
1st and 2nd Semi-Annual Art Show at 21st Street Co-op, Austin, TX
2006
Viewpoints, Plano, TX
Authored Publications
2022
Review of Nathalie Djurberg and Hans Berg’s A Pancake Moon at Tanya Bonakdar Gallery, Los Angeles, CA (upcoming)
Review of Phil Peter’s Permian Recordings at CoLab Projects, Austin, TX (upcoming)
“Trenton Doyle Hancock’s World-Building Power”, October 3, 2022, https://hyperallergic.com/765818/trenton-doyle-hancocks-world-building-power/
Anja Salonen’s Surrealist Paintings of Existential Unease”, June 30, 2022, https://hyperallergic.com/744454/anja-salonens-surrealist-paintings-of-existential-unease/
“Soft Scenes of a Rough Life of Labor”, May 9, 2022, https://hyperallergic.com/730743/soft-scenes-of-a-rough-life-of-labor-daisuke-fukunaga/
“Lydia Maria Pfeffer’s World of Fertility, Abundance, and Play”, April 18, 2022, https://hyperallergic.com/724041/lydia-maria-pfeffer-world-of-fertility-abundance-and-play/
“Jonny Negron’s Darker Portraits of Party Life”, January 2, 2022, https://hyperallergic.com/702023/jonny-negrons-darker-portraits-of-party-life/
2021
An LA Gallery’s Sexy Xmas Tradition” December 20, 2021, https://hyperallergic.com/700747/an-la-gallerys-sexy-xmas-tradition/
“UCLA’s Graduate Open Studios Buzzed With Dreams”, December 10, 2021, https://hyperallergic.com/699212/uclas-graduate-open-studios-buzzed-with-dreams/
“A Painter’s Delicate, Sexual, and Clinical Visions of Birth”, August 23, 2021, https://hyperallergic.com/671367/delicate-sexual-and-clinical-visions-of-birth-bridget-mullen/
2020
“Uncanny Paintings Tell a Story of This Year’s Unease”, December 23rd, https://hyperallergic.com/610617/lauren-satlowski-bel-ami/
“Artists in Nasty Women Show Embrace the Bold, Confident, and Unapologetic”, November 16th, https://hyperallergic.com/601688/artists-in-nasty-women-show-embrace-the-bold-confident-and-unapologetic/
“A Painter’s Sincere Affection for the Heart Ideogram”, October 19th, https://hyperallergic.com/594984/linda-stark-hearts-david-kordansky/
“The Visual Magic of Helen Frankenthaler’s Los Angeles Prints”, October 13th, https://hyperallergic.com/594130/helen-frankenthaler-prints-mixografia/
“Turning to Art for Spiritual Sustenance”, August 5th, https://hyperallergic.com/579733/turning-to-art-for-spiritual-sustenance/
“An Exhibition Across Los Angeles Takes on New Meanings in Times of Protest”, June 11th, 2020, https://hyperallergic.com/570277/durden-and-ray-we-are-here-here-we-are/
“Lynette Yiadom-Boakye at the Huntington Art Gallery”, March 18th, https://contemporaryartreview.la/lynette-yiadom-boakye-at-the-huntington/
“525 Posters Designed by CalArts Students Since 1980”, March 10th, https://hyperallergic.com/547181/inside-out-upside-down-posters-from-calarts-1980-2019/
“Creating a Census for Los Angeles Artists”, February 25th, https://hyperallergic.com/544610/creating-los-angeles-artist-census/
“Medea Insurrection at the Wende Museum”, February, Contemporary Art Review Los Angeles Issue 19 (print)
“David Muenzer at Jan Weenix”, February 5th, https://contemporaryartreview.la/david-muenzerat-jan-weenix/
“Strange and Subtle Portraits of Artists Hands”, February 5th, https://hyperallergic.com/541147/karl-haendel-double-dominant-vielmetter-los-angeles/
2019
“Intangible Intimacy at Moskowitz Bayse,” December 17th, https://medium.com/@curate.LA/intangible-intimacy-at-moskowitz-bayse-568403b8d7a1
“Clarissa Tossin,” annual 18th Street Art Center catalogue (print)
“Three Women’s Art Collectives Exchange Artworks Across Borders”, December 17th, https://hyperallergic.com/532918/the-box-project-sparc-venice/
“Best of 2019: Our Top 20 Los Angeles Art Shows: Suzan Pitt at Hunter Shaw Fine Art and Genesis Belanger at François Ghebaly”, December 11th, 2019, https://hyperallergic.com/532215/best-of-2019-our-top-20-los-angeles-art-shows/
‘“Guess Who Laid Us Off?”: Art Workers Stage Protests on Black Friday’, December 2nd, https://hyperallergic.com/531116/guess-who-laid-us-off-art-workers-stage-protests-on-black-friday/
“Laid-Off Marciano Art Foundation Employees Picket a Dinner Hosted by Marciano Brothers”, November 20th, https://hyperallergic.com/529322/marciano-art-foundation-workers-protest-wallys-wine-spirits/
“A Beloved Alternative Video Store Reopens in Los Angeles”, November 18th, https://hyperallergic.com/528397/vidiots-reopens-eagle-theatre-eagle-rock/
“Dynamic Lines and Difference: Buckley at ParisTexasLA”, November 6th, https://medium.com/@curate.LA/dynamic-lines-and-differences-buckley-at-paristexasla-3332a071812d
“Artists Who Have Addressed Sexual Trauma Since the 1970s”, September 3rd, https://hyperallergic.com/504526/vivien-green-fryds-against-our-will-sexual-trauma-in-american-art-since-1970/
“Making the rounds (a place to wait),” June 23rd, https://medium.com/@curate.LA/making-the-rounds-a-place-to-wait-54dd8230a9c1
“A Hand-Painted Animation Tells a Moving Story About Depression,” April 24th, https://hyperallergic.com/496734/joy-street-suzan-pitt-hunter-shaw-fine-art/
“In SoCal, Artists Foster Roving, Alternative Spaces in Face of Change,” March 18th, https://hyperallergic.com/490409/other-places-art-fair-san-pedro-2019/
“Clarissa Tossin at 18th Street Arts Center”, March 18th, https://contemporaryartreview.la/clarissa-tossin-at-18th-street-arts-center/
“Placing Art in Hotel Rooms Can Yield Genuinely Surprising Results,” February 15th, https://hyperallergic.com/485229/felix-art-fair-los-angeles-2019/
2018
“Best of 2018: Our Top 15 Los Angeles Art Shows: Wendell Gladstone: Fever Pitch at Shulamit Nazarian & Poe,” December 19th, https://hyperallergic.com/476431/best-of-2018-our-top-15-los-angeles-art-shows/
“A Jewish Myth Reimagined as a Vaudeville Dominatrix: Julie Weitz Interviewed by Jennifer Remenchik," October 15th, https://bombmagazine.org/articles/julie-weitz-my-golem/
“Precarious Healing, On Made in L.A. 2018,” October 3rd, Contemporary Art Review Los Angeles Issue 13 (print)
“A Shop in LA Is Selling Art Objects Cast with Spells,” August 29th, https://hyperallergic.com/457580/lazaros-astral-oracles-house-of-intuition/
“A Painter Illustrates the Charm and Tragedy of the American Dream,” July 9th, https://hyperallergic.com/450703/esther-pearl-watson-tire-universe-susanne-vielmetter/
“We Got to Visit the Exclusive LA Mural that Only “Verified Influencers” Can Photograph,” June 27th, https://hyperallergic.com/449092/exclusive-los-angeles-mural-like-and-subscribe/
“Heather Cook at Praz-Delavallade,” June 1st, https://contemporaryartreview.la/heather-cook-at-praz-delavallade/
“In Her Films, Chris Kraus Revels in Art’s Failure,” May 22nd, https://hyperallergic.com/442955/in-her-films-chris-kraus-revels-in-arts-failure/
“Ali Prosch at Bed and Breakfast”, May, Contemporary Art Review Los Angeles Issue 12 (print)
“Chanel Von Habsburg-Lothringen at AWHRHWAR”, May 4th, http://contemporaryartreview.la/chanel-von-habsburg-lothringen-at-awhrhwar/
“Demonstrators Splash Red Paint Inside LA Gallery in Apparent Protest of Gentrification,” April 20, https://hyperallergic.com/439208/anti-gentrification-protest-red-paint-dalton-warehouse-los-angeles/
“The Many Shades and Meanings of the Color Blue”, April 9th, https://hyperallergic.com/436868/blue-state-night-gallery/
“Liquid Love at Gas”, March 22nd, http://contemporaryartreview.la/liquid-love-at-gas/
“An Artist Carefully Catalogues His Late Mother’s Possessions”, March 5th, https://hyperallergic.com/430528/nick-flessa-death-production-los-angeles-contemporary-archive/
“Drive: Opening Sequence, Purity, Unfulfilled, Goodbye,” essay in 'Whitney Houston 2', published by AgonyKlub, ed. Casey Wei, March, Vancouver, Canada
“Spirit Bodies: on the work of Hayley Barker”, February 8th, http://curatela.tumblr.com/post/170630095636/spirit-bodies-on-the-work-of-hayley-barker
“Caroline Walker at Anat Ebgi”, January 31st, http://contemporaryartreview.la/caroline-walker-at-anat-ebgi/
“Wendell Gladstone's ‘Fever Pitch’ Brings Surreal Dreamscapes to Shulamit Nazarian,” January 17th, https://bbook.com/arts-culture/wendell-gladstones-fever-pitch-brings-surreal-dreamscapes-shulamit-nazarian/
“Precarious Empathy in Ligia Lewis’ ‘minor matter’,” January 17th, http://curatela.tumblr.com/post/169820070726/precarious-empathy-in-ligia-lewis-minor-matter
“Learning to Lean at Adam Stamp’s ‘Truth and Trust’,” January 9th, http://curatela.tumblr.com/post/169508191476/adamstamp-clubpro
2017
“Best of 2017: Our Top 10 Los Angeles Art Shows: Sam Durant: Build Therefore Your Own World at Blum & Poe,” December 20th, https://hyperallergic.com/417915/best-of-2017-our-top-10-los-angeles-art-shows/
“Searching For a Beginning: seymour2017,” December 17th, http://curatela.tumblr.com/post/169001586986/searching-for-a-beginning-seymour2017
“Virago at HILDE”, November 30th, http://contemporaryartreview.la/virago-at-hilde/
“Friedrich Kunath Plays With Scent, Sense, and Sentiment,” October 4th, https://hyperallergic.com/403746/friedrich-kunath-plays-with-scent-sense-and-sentiment/
“Portraits of Artists and Writers Who Vanished From Public View,” February 22nd, http://hyperallergic.com/360337/portraits-of-artists-and-writers-who-vanished-from-public-view/
“Objects that Manifest the Contradictions of American History,” February 11th, http://hyperallergic.com/358127/objects-that-manifest-the-contradictions-of-american-history/
“To Come From Here,” January, https://www.cooperstreetjournal.com/to-come-remenchik
2015
'Hey Lady,' Printed Matter, Inc., New York, NY (chapbook), 2015, https://www.printedmatter.org/catalog/40167
“From A Former Flower Shop in LA to the Ends of the Earth,” April 6th, https://hyperallergic.com/196851/from-a-former-flower-shop-in-la-to-the-ends-of-the-earth/
“Highland Tours, The Eli Halbreich Experience," February 12th, http://www.caretsandsticks.com/2014/11/highland-tours-the-eli-halbreich-experience/
Residencies, Fellowships and Grants
2023
A-Z Residency, High Desert Test Sites, Joshua Tree, CA
2019
Artist in Residence, Arquetopia Foundation, Cusco, Peru
2016
Midsummer Ball Artist Award for Visual Arts, The Banff Centre, Banff, Canada
BAiR Text, Artist in Residence, The Banff Centre, Banff, Canada
2015
Vermont Studio Center, Writer in Residence, Johnson, VT
August & July at Toni Areal, Artist in Residence, Zurich, Switzerland
Elsewhere and Otherwise at Performing Arts Forum, Artist in Residence, St. Erme, France
Deans Reserve Funds Grant, California Institute of the Arts, Valencia, CA
2014
Metier Grant, California Institute of the Arts, Valencia, CA
Deans Reserve Funds Grant, California Institute of the Arts, Valencia, CA
2013
Deans Reserve Funds Grant, California Institute of the Arts, Valencia, CA
2009
FACS Career Development Grant, University of Texas at Austin, Austin, TX
2008
Santa Chiara Summer Program, Castiglion Fiorentino, Italy, University of Texas at Austin, Austin, TX
Undergraduate Research Fellowship, University of Texas at Austin, Austin, TX
Selected Bibliography
2020
Los Angeles: A Year in Review in Art and Culture, December 30, 2020, hyperallergic.com
Tired of Netflix? Stream Experimental Films and Video Art, March 24, 2020,
hyperallergic.com
2019
“Meet Jennifer Remenchik”, interview with Voyage LA, April 9, 2019
2017
"...feel it....feel it..."catalogue cover and feature for The Diogenes Club, December 2017, Los Angeles, CA
"Edge of Doom at HILDE," Art and Cake, May 18th, 2017, artandcakela.com
“Beeflix Ver. 3.0,” Carpe Diem! Dallas, January 21st, dallas.carpediem.cd
2016
“See Artist Films Today in Dallas,” Glasstire, January 3, glasstire.com
2015
“BeeFlix presents: Short Films,” Glasstire, December 28th, glasstire.com
“2015 CalArts MFA Show,” ArtSlant, www.artslant.com
Lehrer-Graiwer, Sarah, “The New Just-Past: 2015, CalArts MFA Show Catalog,” June, 2015
2011
“Jesus Benavente & Jennifer Remenchik || Arts In Context,” PBS Austin, KLRUTV,
www.pbs.org
Wayne Allan Brenner, “New Art in Austin: 15 to Watch,” The Austin Chronicle,
www.austinchronicle.com
Robert Faires, ‘New Art in Austin 2011,’ The Austin Chronicle, www.austinchronicle.com
Jane Mattingly, “Austin Museum of Art celebrates “New Art in Austin: 15 to Watch,”
www.modautin.com
Jeanne Claire van Ryzin, “AMOA Exhibit Showcases New Austin-area Art,” www.austin360.com
Curatorial Experience
2018
Liminal Bodies, Gallery ALSO, Los Angeles CA
2017
The Sweet Life, Gallery ALSO, Los Angeles CA
2009
Stations, Pump Project, Austin, TX
Telephone, FAB Gallery, Austin, TX
2007
21st St. Co-op’s 2nd Semi-Annual Art Show, 21st St Co-op Austin, TX